In 2023, I started to select several designers from international fairs and exhibitions. SOSACHI received the Atelierul Award at the „The Transparent Breath” exhibition in Venezia for their creations. I was impressed by the style of the creations and how the colors are used in each product.
Also, having international interviews from Japan is an opportunity for the Atelierul Magazine’s community to admire awesome designers.
1. When did you start your creative business? What was the starting point?
I officially started my glasswork business as “SOSACHI” in May of this year. Prior to that, I had been working in the field of graphic design. I often enjoyed creating clothing and various items for myself, so I had a casual interest in trying my hand at glasswork around three years ago. Initially, it was a fun idea of making a glass ring for myself. I attempted to melt glass rods on my kitchen stove, but to my surprise, they just wouldn’t melt, no matter how long I waited, lol. I patiently waited, and they did melt a bit, but it was clear that this approach wouldn’t work. So, I decided to get a camping stove burner and used it for a while to create my glass pieces. However, the temperature was still too low, and I couldn’t make the things I wanted. Eventually, I realized I needed to get serious about it, so I invested in a proper burner. That’s where it all began.
2. What does SOSACHI stand for? “The jaggedness of a dinosaur’s back. And the mane of a galloping horse” is the statement for your logo, what was the creative process in finding the\is definition?
“SOSACHI” is my full name (So Sachi/#$). It’s been combined into SOSACHI because it’s easier to pronounce, and I’ve been called Sosachi by those around me for quite some time. (By the way, „Sachi” means happiness.)
When I was designing this logo, I sometimes felt a bit hesitant, wondering whether. I should play it safe or go for a trendy look. To break free from such uncertainties, I added these jagged decorations as if to cast away those doubts. The jaggedness of a dinosaur’s back and the flowing mane of a galloping horse symbolize something cool to me. I believe that jewelry, like these symbols, can serve as a source of empowerment, encouraging us to be ourselves as much as possible amidst various constraints or pressures, or to become the person we aspire to be, by giving a boost to our inner selves.
3. I love your joyful creations; what inspired you to create them?
I envision the shapes I want to create, much like when I’m working on graphic design projects. I draw them out, and that’s where the production process begins. Whether it’s rings or earrings, my goal is to make them as exciting as possible for the hands that wear them, or to make the wearer feel vibrant and alive when they look in the mirror.
4. What are the values for your creations? What are your flagship products? Why did you choose them?
Coming from a graphic design background, I believe that my sense of color and balance in that field also shines through in my glasswork. As for my main focus, it has to be rings. Just like how wearing a beautiful pair of shoes can transport you to exciting places, I feel that when you have something that excites you on your hand, it inspires you to create enjoyable things with those hands and makes you feel like you can grasp the excitement. Moreover, hands are the part of our body that we see the most in our daily lives. When you have something you love adorning your hands, it keeps your spirits high, doesn’t it?
5. I discovered your brand at the exhibition “The Transparent Breath”, how did you find the exhibition experience?
I decided to participate in this exhibition quite close to the event dates, so I couldn’t make it to Venice due to scheduling conflicts. However, when I saw many photos being shared on platforms like Instagram, there were so many fantastic pieces that I truly wished to see in person at the venue.
6. I noticed, you recycle pieces made from artwork that broke in the process of making, what is your opinion about imperfect jewelry products?
I love them if there’s a story behind them. I think imperfection has its own charm. For instance, with glass, when it breaks, it takes on shapes you wouldn’t intentionally create, which is intriguing. Everyone can also expand their own imagination from those missing parts.
7. How do you see glass art and jewelry in a more and more digitalized society?
Digitalization is a broad topic, but I’m truly grateful because, as a newcomer artist like myself, I was able to participate in this exhibition because I was discovered on Instagram. Furthermore, in an exhibition I held in June of this year, I scanned a glass ring I had created and then used a 3D printer to produce a larger version while preserving the original shape of the ring I had made. It was fascinating to see it grow larger while maintaining the same shape. I believe that it would be fantastic if both digital and glass art could be enjoyed beyond their respective boundaries.
8. Do you prefer online sales or offline exhibition for your products and brand?
I definitely prefer offline exhibitions. It’s enjoyable to think about the exhibition space as well. However, I also want to reach people overseas, so I believe I need to prepare for online sales in the future.
9. Where do you find your inspiration? Do you have preferred podcasts, places, and/ or songs?
I love colors, so I make it a habit to remember moments when I come across combinations of colors that happen to be cute, no matter when it occurs in my daily life. Additionally, I tend to collect things I like, whether they are stones or knick knacks, and I also draw inspiration from these collections. My favorite place is home. It’s like a nest filled with things I love.
10. You started your Instagram account in 2023, how do you see social media as a medium of presenting your creations?
It’s great because I can start it casually, get discovered, and have friendly interactions. It’s really advantageous.
11. What advice can you give to someone wanting to start a creative business?
I’ve just started myself, so I wouldn’t say I have advice per se, but if there’s someone who’s unsure about whether to start or not, and they have the desire to do it, I think they should consider that as the right timing and take the plunge to get started.
Images are send by Sosachi’s personal archive.
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